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A Feast for Crows: A Song of Ice and Fire (Game of Thrones) Paperback – September 26, 2006
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Here is the fourth book in the landmark series that has redefined imaginative fiction and become a modern masterpiece in the making.
A FEAST FOR CROWS
After centuries of bitter strife, the seven powers dividing the land have beaten one another into an uneasy truce. But it’s not long before the survivors, outlaws, renegades, and carrion eaters of the Seven Kingdoms gather. Now, as the human crows assemble over a banquet of ashes, daring new plots and dangerous new alliances are formed while surprising faces—some familiar, others only just appearing—emerge from an ominous twilight of past struggles and chaos to take up the challenges of the terrible times ahead. Nobles and commoners, soldiers and sorcerers, assassins and sages, are coming together to stake their fortunes . . . and their lives. For at a feast for crows, many are the guests—but only a few are the survivors.
A GAME OF THRONES • A CLASH OF KINGS • A STORM OF SWORDS • A FEAST FOR CROWS • A DANCE WITH DRAGONS
- Print length1104 pages
- LanguageEnglish
- PublisherRandom House Worlds
- Publication dateSeptember 26, 2006
- Dimensions4.13 x 1.65 x 6.85 inches
- ISBN-109780553582024
- ISBN-13978-0553582024
Book recommendations, author interviews, editors' picks, and more. Read it now
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Editorial Reviews
Review
“A fantasy series for hip, smart people, even those who don’t read fantasy.” —Detroit Free Press
“[A] once-in-a-generation work of fiction that manages to entertain readers while elevating an entire genre to fine literature.”—Milwaukee Journal Sentinel
“These are the best heroic fantasies I’ve ever read—layered, complex, true to the characters, real as the bloodiest of real life is, and stunningly, fascinatingly page-turning. . . . Amazing stuff.”—Jeff VanderMeer, The New Your Review of Science Fiction
“George R. R. Martin has created the unlikely genre of the realpolitik fantasy novel. Complete with warring kings, noble heroes and backroom dealings, it’s addictive reading and reflects our current world a lot better than The Lord of the Rings.”—Rolling Stone
“THE MOST impressive modern fantasy, both in terms of conception and execution, is George R. R. Martin’s A Song of Ice and Fire. . . . A masterpiece that will be mentioned with the great works of fantasy.”—Contra Costa Times
From the Back Cover
A Feast for Crows
It seems too good to be true. After centuries of bitter strife and fatal treachery, the seven powers dividing the land have decimated one another into an uneasy truce. Or so it appears....With the death of the monstrous King Joffrey, Cersei is ruling as regent in King's Landing. Robb Stark's demise has broken the back of the Northern rebels, and his siblings are scattered throughout the kingdom like seeds on barren soil. Few legitimate claims to the once desperately sought Iron Throne still exist--or they are held in hands too weak or too distant to wield them effectively. The war, which raged out of control for so long, has burned itself out.
But as in the aftermath of any climactic struggle, it is not long before the survivors, outlaws, renegades, and carrion eaters start to gather, picking over the bones of the dead and fighting for the spoils of the soon-to-be dead. Now in the Seven Kingdoms, as the human crows assemble over a banquet of ashes, daring new plots and dangerous new alliances are formed, while surprising faces--some familiar, others only just appearing--are seen emerging from an ominous twilight of past struggles and chaos to take up the challenges ahead.
It is a time when the wise and the ambitious, the deceitful and the strongwill acquire the skills, the power, and the magic to survive the stark and terrible times that lie before them. It is a time for nobles and commoners, soldiers and sorcerers, assassins and sages to come together and stake their fortunes...and their lives. For at a feast for crows, many are the guests--but only a few are the survivors.
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
She dreamt she sat the Iron Throne, high above them all.
The courtiers were brightly colored mice below. Great lords and proud ladies knelt before her. Bold young knights laid their swords at her feet and pleaded for her favors, and the queen smiled down at them. Until the dwarf appeared as if from nowhere, pointing at her and howling with laughter. The lords and ladies began to chuckle too, hiding their smiles behind their hands. Only then did the queen realize she was naked.
Horrified, she tried to cover herself with her hands. The barbs and blades of the Iron Throne bit into her flesh as she crouched to hide her shame. Blood ran red down her legs, as steel teeth gnawed at her buttocks. When she tried to stand, her foot slipped through a gap in the twisted metal. The more she struggled the more the throne engulfed her, tearing chunks of flesh from her breasts and belly, slicing at her arms and legs until they were slick and red, glistening.
And all the while her brother capered below, laughing. His merriment still echoed in her ears when she felt a light touch on her shoulder, and woke suddenly. For half a heartbeat the hand seemed part of the nightmare, and Cersei cried out, but it was only Senelle. The maid’s face was white and frightened.
We are not alone, the queen realized. Shadows loomed around her bed, tall shapes with chainmail glimmering beneath their cloaks. Armed men had no business here.
Where are my guards? Her bedchamber was dark, but for the lantern one of the intruders held on high. I must show no fear. Cersei pushed back sleep-tousled hair, and said, “What do you want of me?” A man stepped into the lantern light, and she saw his cloak was white. “Jaime?” I dreamt of one brother, but the other has come to wake me.
“Your Grace.” The voice was not her brother’s. “The Lord Commander said come get you.” His hair curled, as Jaime’s did, but her brother’s hair was beaten gold, like hers, where this man’s was black and oily. She stared at him, confused, as he muttered about a privy and a crossbow, and said her father’s name. I am dreaming still, Cersei thought. I have not woken, nor has my nightmare ended. Tyrion will creep out from under the bed soon and begin to laugh at me.
But that was folly. Her dwarf brother was down in the black cells, condemned to die this very day. She looked down at her hands, turning them over to make certain all her fingers were still there. When she ran a hand down her arm the skin was covered with gooseprickles, but unbroken. There were no cuts on her legs, no gashes on the soles of her feet. A dream, that’s all it was, a dream. I drank too much last night, these fears are only humors born of wine. I will be the one laughing, come dusk. My children will be safe, Tommen’s throne will be secure, and my twisted little valonqar will be short a head and rotting.
Jocelyn Swyft was at her elbow, pressing a cup on her. Cersei took a sip: water, mixed with lemon squeezings, so tart she spit it out. She could hear the night wind rattling the shutters, and she saw with a strange sharp clarity. Jocelyn was trembling like a leaf, as frightened as Senelle. Ser Osmund Kettleblack loomed over her. Behind him stood Ser Boros Blount, with a lantern. At the door were Lannister guardsmen with gilded lions shining on the crests of their helmets. They looked afraid as well. Can it be? the queen wondered. Can it be true?
She rose, and let Senelle slip a bedrobe over her shoulders to hide her nakedness. Cersei belted it herself, her fingers stiff and clumsy. “My lord father keeps guards about him, night and day,” she said. Her tongue felt thick. She took another swallow of lemon water and sloshed it round her mouth to freshen her breath. A moth had gotten into the lantern Ser Boros was holding; she could hear it buzzing and see the shadow of its wings as it beat against the glass.
“The guards were at their posts, Your Grace,” said Osmund Kettleblack. “We found a hidden door behind the hearth. A secret passage. The Lord Commander’s gone down to see where it goes.”
“Jaime?” Terror seized her, sudden as a storm. “Jaime should be with the king . . .”
“The lad’s not been harmed. Ser Jaime sent a dozen men to look in on him. His Grace is sleeping peaceful.” Let him have a sweeter dream than mine, and a kinder waking. “Who is with the king?”
“Ser Loras has that honor, if it please you.”
It did not please her. The Tyrells were only stewards that the dragon-kings had upjumped far above their station. Their vanity was exceeded only by their ambition.
Ser Loras might be as pretty as a maiden’ s dream, but underneath
his white cloak he was Tyrell to the bone. For all she knew, this night’s foul fruit had been planted and nurtured in Highgarden.
But that was a suspicion she dare not speak aloud.
“Allow me a moment to dress. Ser Osmund, you shall accompany me to the Tower of the Hand. Ser Boros, roust the gaolers and make certain the dwarf is still in his cell.” She would not say his name. He would never have found the courage to lift a hand against Father, she told herself, but she had to be certain.
“As Your Grace commands.” Blount surrendered the lantern to Ser Osmund. Cersei was not displeased to see the back of him. Father should never have restored him to the white. The man had proved himself a craven. By the time they left Maegor’ s Holdfast, the sky had turned a deep cobalt blue, though the stars still shone. All but one, Cersei thought. The bright star of the west has fallen, and the nights will be darker now. She paused upon the drawbridge that spanned the dry moat, gazing down at the spikes below. They would not dare lie to me about such a thing. “Who found him?”
“One of his guards,” said Ser Osmund. “Lum. He felt a call of nature, and found his lordship in the privy.”
No, that cannot be. That is not the way a lion dies. The queen felt strangely calm. She remembered the first time she had lost a tooth, when she was just a little girl. It hadn’t hurt, but the hole in her mouth felt so odd she could not stop touching it with her tongue. Now there is a hole in the world where Father stood, and holes want filling.
If Tywin Lannister was truly dead, no one was safe . . . least of all her son upon his throne. When the lion falls the lesser beasts move in: the jackals and the vultures and the feral dogs. They would try to push her aside, as they always had. She would need to move quickly, as she had when Robert died. This might be the work of Stannis Baratheon, through some catspaw. It could well be the prelude to another attack upon the city. She hoped it was. Let him come. I will smash him, just as Father did, and this time he will die. Stannis did not frighten her, no more than Mace Tyrell did. No one frightened her. She was a daughter of the Rock, a lion. There will be no more talk of forcing me to wed again. Casterly Rock was hers now, and all the power of House Lannister. No one would ever disregard her again. Even when Tommen had no further need of a regent, the Lady of Casterly Rock would remain a power in the land.
The rising sun had painted the tower tops a vivid red, but beneath the walls the night still huddled. The outer castle was so hushed that she could have believed all its people dead. They should be. It is not fitting for Tywin Lannister to die alone. Such a man deserves a retinue to attend his needs in hell.
Four spearmen in red cloaks and lion-crested helms were posted at the door of the Tower of the Hand. “No one is to enter or leave without my permission,” she told them. The command came easily to her. My father had steel in his voice as well.
Within the tower, the smoke from the torches irritated her eyes, but Cersei did not weep, no more than her father would have. I am the only true son he ever had. Her heels scraped against the stone as she climbed, and she could still hear the moth fluttering wildly inside Ser Osmund’s lantern. Die, the queen thought at it, in irritation, fly into the flame and be done with it.
Two more red-cloaked guardsmen stood atop the steps. Red Lester muttered a condolence as she passed. The queen’s breath was coming fast and short, and she could feel her heart fluttering in her chest. The steps, she told herself, this cursed tower has too many steps. She had half a mind to tear it down.
The hall was full of fools speaking in whispers, as if Lord Tywin were asleep and they were afraid to wake him. Guards and servants alike shrank back before her, mouths flapping. She saw their pink gums and waggling tongues, but their words made no more sense than the buzzing of the moth. What are they doing here? How did they know? By rights they should have called her first. She was the Queen Regent, had they forgotten that?
Before the Hand’s bedchamber stood Ser Meryn Trant in his white armor and cloak. The visor of his helm was open, and the bags beneath his eyes made him look still half-asleep. “Clear these people away,” Cersei told him.
“Is my father in the privy?”
“They carried him back to his bed, m’lady.” Ser Meryn pushed the door open for her to enter.
Product details
- ASIN : 055358202X
- Publisher : Random House Worlds (September 26, 2006)
- Language : English
- Paperback : 1104 pages
- ISBN-10 : 9780553582024
- ISBN-13 : 978-0553582024
- Item Weight : 2.31 pounds
- Dimensions : 4.13 x 1.65 x 6.85 inches
- Best Sellers Rank: #30,156 in Books (See Top 100 in Books)
- #991 in Sword & Sorcery Fantasy (Books)
- #1,308 in Science Fiction Adventures
- #2,442 in Epic Fantasy (Books)
- Customer Reviews:
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About the author

George R.R. Martin is the globally bestselling author of many fine novels, including A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, and A Dance with Dragons, which together make up the series A Song of Ice and Fire, on which HBO based the world’s most-watched television series, Game of Thrones. Other works set in or about Westeros include The World of Ice and Fire, and A Knight of the Seven Kingdoms. His science fiction novella Nightflyers has also been adapted as a television series; and he is the creator of the shared-world Wild Cards universe, working with the finest writers in the genre. He lives in Santa Fe, New Mexico.
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Customers find the book easy to read and enjoyable. They enjoy the series and praise the writing quality as well-crafted and masterful. The story is interesting and entertaining, with climactic moments. However, some readers feel the pacing is slow at times, especially in the beginning. Opinions vary on the storyline, with some finding it compelling and fit into the context of the story, while others say there is no storyline at all.
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Customers enjoy the book. They find it well-written, with a consistent world view and engaging storytelling. Readers appreciate the new perspectives and say the author is still a strong writer.
"...but understands what it was that made Middle-earth such a beautiful setting without just cloning Middle-earth...." Read more
"...And it adds much detail and texture to an already rich and layered world...." Read more
"...MEDIEVAL DIALOGUE: not to the point that we can't understand it but well done...." Read more
"...and pace (reasonably fast for my tastes) of the story are well justified for those readers who are curious about characters and cultures of all of..." Read more
Customers enjoy the series and want to continue reading it. They find the book a classic and praise the individual characters' chapters. The show is incredible, but the books have more detail and build up to thrilling final chapters that set up the forward story.
"...book, while the latter act of the book does build up to some thrilling final chapters that set up the forward progression of the series nicely...." Read more
"...But I think it was a better choice for the story - or to put it more aptly, this installment of the story...." Read more
"...Now some people are already saying that the book is horrible and a great letdown and others go to the other extreme and hold faithfully that it's..." Read more
"...in the making, it followed A Storm of Swords, arguably the best book in the series and certainly the most eventful...." Read more
Customers appreciate the writing quality of the book. They praise the author's skill at crafting wonderful monologues and scenes that resonate. The book is described as a great work of English literature with inventive, intriguing, and literate storytelling. Readers appreciate the creative world-building and find the author to be a master schemer.
"...Martin is a master at crafting wonderful monologues that hit hard and scenes that close out a chapter leaving us wanting more..." Read more
"...assuming we were to take a tally, I still feel GRRM is the best living fantasy author out there if you want tales that don't overuse archetypes..." Read more
"...no endlessly immature characterizations, no repetative philisophical oratories; the focus remains mainly on the fully adult characters or the..." Read more
"...fantasy books in my early twenties because they are, by and large, childish and simplistic...." Read more
Customers find the book engaging and entertaining. They appreciate the climactic moments and passion in the storytelling. The book is satisfying, well-written, and exciting.
"...transitional volume in this gigantic saga, it is still a story told with as much passion and humanity as Martin has brought to any previous volume...." Read more
"...As the dust settles, lots of information is shared. There's a great deal of focus on characters. Lots and lots of characters, even if fleeting...." Read more
"...only works if you find the characters he creates interesting and compelling. Obviously, a lot of reviewers (amateur and professional) didn't...." Read more
"...revealed himself to be a true master schemer, who now is a great source of anticipation, and will doubtlessly be a majorly interesting plot mover...." Read more
Customers have mixed opinions about the storyline. Some find it compelling and entertaining, with well-developed characters and a good plot. Others feel the storyline twists out of shape at the end and lacks major twists like previous books.
"...Martin obviously has a skill for worldcraft with compelling storytelling that remains virtually unchallenged in fantasy, but it also comes with,..." Read more
"...There are no big twists like previous books (the big death of the first book or the Red Wedding of the third), and the plot does often feel like..." Read more
"...MULTILAYERED PLOTTING; SUB PLOTS GALORE: each character has their own separate storyline; especially as the story continues and everyone gets..." Read more
"...I enjoyed some of Arya's story, too. Brienne was interesting when she wasn't internally whining...." Read more
Customers have different views on the character development. Some find the characters engaging and well-developed, with a progression of change in Jaime's character. Others feel some characters are uninteresting, flat, or repellent.
"...Character interactions and relationships are also still strong, especially the growth of Jaime and the way his relationship with Cersei develops, or..." Read more
"...Many of the characters have lengthy discussions of politics, both present and historical...." Read more
"...(10) SUPERLATIVE VARIED CHARACTERS: not the typical archetypes that we are used to in most fantasy; some are gritty; few are totally evil or good;..." Read more
"...approach to the story telling as there is very little physical interaction between the characters in this book versus those to come in the next...." Read more
Customers have mixed views on the pacing. Some find it entertaining and surprising, providing depth of background and expanding the tapestry of the series. Others feel it's gimmicky and reflects weak or unsure plot development and writing. They mention it's poorly planned, with pathetic action after the Red Wedding.
"...in my early twenties because they are, by and large, childish and simplistic...." Read more
"...Where A Feast for Crow proves that it is still a worthy member of the series, even if not the best, is its characters: they are still deep and..." Read more
"...Not one. She's not funny, she's not smart, she's not good...." Read more
"...I read into this book's development, I could tell that it was a poorly planned book...." Read more
Customers find the book's pace slow. They mention the narration sounds extremely slow for the first half-hour. The storylines are also slow, with too many pages per chapter. Many find it frustrating to read and hard to understand certain chapters like Cersei. Readers also mention that the book feels like school reading at times, with minor lapses in language.
"...I found the Cersei chapters hard to read since they just didn't make any sense in the context of what we already know about her...." Read more
"...these new (or previously secondary) characters, and that the plot moved too slowly and "nothing happens"...." Read more
"...Almost flawless flow...." Read more
"...opens up the story of the ironmen, which I have to admit was pretty slow-paced, although I'm keeping an eye out for Asha Greyjoy...." Read more
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- Reviewed in the United States on December 12, 2015A Feast for Crows is likely the most divisive part of the ongoing A Song of Ice and Fire series of books. In developing the sequel to the widely loved A Storm of Swords, George R.R. Martin realized that he wouldn't be able to do the five-year time skip he originally envisioned because there was just too much plot in this deep series. However, because he wanted the fourth book to be shorter than A Storm of Swords (which was the longest book yet, an accomplishment of its own given the door-stopper length of these books), the fourth book in the series would need to be split into two more: A Feast for Crows and A Dance with Dragons. Each needed its own complete story, though, so George R.R. Martin decided to split the plot of the books on geographic location: A Feast for Crows would follow King's Landing and the Riverlands, while A Dance with Dragons would follow the North and across the sea in Essos. This meant that each book would have different point of view characters, and many of the fan favorites ended up in A Dance with Dragons, such as Tyrion, Danaerys, and Jon. However, although some of the fan favorite characters are missing, A Feast for Crows is still definitely an entry in this amazing series, and a worthy one at that.
A Feast for Crows follows directly from the end of A Storm of Swords and follows many point of view characters on the south end of Westeros as the War of the Five Kings winds down. Cersei and Jaime are dealing with the loss of their father and taking care of the kingdom, Brienne is sent through the Riverlands to search for Sansa Stark, the Iron Islands lose their king and must find a new one, and Prince Doran in Dorne is also dealing with the loss of his brother in the events of the prior book while other machinations are occurring under his nose. With the expansion to Dorne and more detail in the Iron Islands, a large amount of new point of view characters are brought into play in those areas, though most take up only one or two chapters. Other recurring characters like Cersei and Brienne are now given their own chapters as well, further developing their characters. The plot moves forward in its own way, though it is apparent that this is a middle book. There are no big twists like previous books (the big death of the first book or the Red Wedding of the third), and the plot does often feel like build-up. However, those who enjoy the characters of the series will still enjoy their arcs over the course of the book, while the latter act of the book does build up to some thrilling final chapters that set up the forward progression of the series nicely.
Where A Feast for Crow proves that it is still a worthy member of the series, even if not the best, is its characters: they are still deep and wonderfully written. A vast amount of characters exist in this book, but all of them are rich and believable, from point of view characters to side characters like Robert Arryn, Genna Lannister, or Septon Meribald. The point of view characters are well-developed, often in ways that give us new insight into their characters. For example, we get a better idea of Brienne's upbringing and life back home, and we finally learn what goes on in Cersei's head as she rules the kingdom. Cersei is a highlight of the book, not just because she has the most chapters, but because we learn a new perspective on her and learn why she is the way she is, but in a way that still takes care to keep her as unlikable as ever, if not more so. Character interactions and relationships are also still strong, especially the growth of Jaime and the way his relationship with Cersei develops, or breaks, over the course of the book. The deep characters are one of the series' greatest strengths, and that doesn't change here.
Another of the series' strengths is strong writing and excellent world building, and both are here. A Feast for Crows continues to have well-written dialogue. Martin is a master at crafting wonderful monologues that hit hard and scenes that close out a chapter leaving us wanting more (only to have to wait until the next chapter from that character). The prose is great as well, whether it is describing drool-inducing meals, gorgeous fashion, or imaginative locations. The world of A Song of Ice and Fire is rich in a way that takes the best cues from Tolkien, but understands what it was that made Middle-earth such a beautiful setting without just cloning Middle-earth. We get new developments about Westerosi culture, from Dorne to the Iron Islands, and even a little bit across the Narrow Sea. This cultural development also continues the intelligent themes and motifs of the series while focusing on some new ones. A Feast for Crows delves into how a medieval society treats women and the roles it puts them, religion, the mystery of magic, and the ever-present politics in ruling a kingdom ("the game of thrones").
This is a hard book to rate and review, because many may still have different feelings. Mechanically, the pieces are still there, the characters and the world are still well developed in a truly Martin way. However, the absence of characters like Tyrion, Jon, and Danaerys and lack of or minimal progression on some of the overarching story lines of the series (such as the Wall or Danaerys' journey back to Westeros) may leave this book as "that one you have to get through" for some readers. However, those willing to wait for those characters, and take in this book as it is, will still find a book that is definitely a part of the series and well worth a read.
- Reviewed in the United States on July 30, 2013Expectations were without a doubt going to be high coming off of what many people (including myself) considered to be the best novel in the series: A Storm of Swords. Perhaps the expectations were impossibly high. Too high for any author to meet, including George Martin. With some of the decisions that Martin had to make for this book to come out at all, there was likely to be some vocal backlash from certain fans. (In an attempt to not regurgitate a summary of A Feast for Crows, which many of people have already done. I will focus on how the novel compares to previous books, and try and quell reader's fears.)
The problem proved to be what most people predicted at the end of A Storm of Swords: the series got too damn big. Although there are many fantasy series out there with more books in them. I mean look at Robert Jordan, his novels have managed to span fourteen volumes, not including the prequel novel, and a companion book. I'm pretty certain that he is in large part the reason for deforestation. Not to mention the likes of Piers Anthony (whom I am very fond of) and select other authors who don't seem to understand the word "ending". However, unlike many other fantasy authors that seem to fill half of the novels with mere bloating tactics, while their ongoing plot arches are paper-thin and miles wide. Martin develops A Song of Ice and Fire, with a scope that is unmatched by any author. If you want depth, you're looking at the Mariana trench of fantasy sagas. It is safe to say that A Song of Ice and Fire didn't just raise fantasy's literary bar, it became the standard for which everyone else must try and match.
With A Feast for Crows, Martin found himself faced with the insurmountable odds of tying in characters and story lines, which after half a decade of buildup, ended up with him cutting it in half. The unfinished storylines and their characters were simply held off until the next book in the series, A Dance with Dragons. Feast's length is closer to that of A Game of Thrones than Storm, which might make some people disappointed after such a long wait. But I think it was a better choice for the story - or to put it more aptly, this installment of the story. Considering that Feast was originally supposed to be two times longer, its most impressive quality is that it flows so smoothly together, and how concise the narrative remains.
As the story opens, the reader is introduced with a flurry of new characters (a necessary device, considering that most of the characters from the first three novels are now dead), some minor characters are now prominent figures, and several chapters that detail the relative calm across the land following the calamity of war. The best part, for me anyways, is that some of the new point of view characters recap key plots that may have slipped many readers' minds over the series.
Some readers might be disappointed that we don't see much of the bloody and violent action of previous volumes in Feast. There is a lot of exposition, as Martin has to bring us up speed on not only characters we remember, but also on the new ones he's introducing. Martin obviously has a skill for worldcraft with compelling storytelling that remains virtually unchallenged in fantasy, but it also comes with, what many consider a down side. Many of the characters have lengthy discussions of politics, both present and historical. Like I said, many people believe this to be the worst part of the book. However, I felt that it was the most interesting. There is something to be said for the level of painstaking detail of history that Martin placed into his novel.
If A Feast for Crows is only a transitional volume in this gigantic saga, it is still a story told with as much passion and humanity as Martin has brought to any previous volume. And it adds much detail and texture to an already rich and layered world. The choices of what to cut and what to hold back obviously were not easy ones, considering the book's long and frustrating gestation. But readers who have managed to avoid building up unrealistic expectations will find that Martin has brought his story to a necessary, believable, and appropriate pass. In the aftermath of catastrophic war, in the endless, vain and violent quest for power and more power, no matter whose banners are flying at the end of the day, there are no real winners. Except the crows.
Five Stars
P.S. I know that many people have written about how you could skip the Cersei chapters. DO NOT DO SO!!! You would be doing yourself a great disservice. She is without a doubt the most interesting character in this particular novel.
Top reviews from other countries
- Mother of DragonsReviewed in Canada on July 15, 2024
5.0 out of 5 stars Brilliant series
Another outstanding novel in the A Song of Ice and Fire series. All the books in this series are brilliant. The deeper layers one uncovers after multiple reads are extraordinary.
My one complaint is with Amazon - no matter how many times I order the paperback version of this particular novel I keep receiving the mass market paperback. I’m on order number 3 and will continue returning the mass market version until Amazon can get it right. All other books in this series I have received in the version I have ordered (paperback). But for some reason A Feast for Crows continues to arrive at my door in mass market size (not paperback). Perhaps I am not the only one experiencing this struggle.
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PacoReviewed in Spain on December 23, 2022
5.0 out of 5 stars Libro de bolsillo, de toda la vida
El libro es en tamaño de bolsillo, perfecto para que no pese demasiado a pesar de ser muy extenso.
Como siempre con este tipo de libros hay que tener cuidado con la portada y contraportada ya que tienen a doblarse y deteriorarse con facilidad.
- PlaceholderReviewed in India on September 14, 2022
5.0 out of 5 stars Feast for the crows mass market !
This book is mass market copy
It’s a very beautiful book by Harper collins
At the time I ordered the paper back wasn’t available so I went with mass market
This is a little smaller compared to paper backs but the quality of pages and books is amazing
It’s more mobile to carry around
👌🏼👌🏼👌🏼🤩
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Daniel JuárezReviewed in Mexico on December 27, 2019
5.0 out of 5 stars Genial ejemplar de la saga 'A Song of Ice & Fire'
Antes que nada, es importante mencionar que este es la edición 2011 lanzada en el Reino Unido, muy diferente a la edición estadounidense. A mí personalmente me gusta más esta edición ya que el diseño es más simplista y no tan cargada de colores tan intensos como la versión de E.U. Si todavía puedes coleccionar esta gama de ediciones, lo recomiendo ampliamente ya que son más bonitos en mi opinión. Aunque ya son algo difíciles de conseguir.
El libro es genial, escrita expertamente por George a su más puro estilo descriptivo y rico en palabras del viejo inglés. Si eres paciente, la recompensa es buena pero le costará trabajo a más de uno el poder leerlo de manera continua, el inglés que emplea es complejo y puede llegar a ser un poco cansado. 10/10
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Amazon CustomerReviewed in Brazil on October 4, 2017
5.0 out of 5 stars Um jogo incrível
A narrativa continua excelente, envolvente e com um nivel de detalhes impressionante. Anciosa para começar o livro seguinte. O escritor conseguiu manter o suspense e a energia da narrativa. Livro excelente para todos que gostam de ums bia ficção. Espero que o próximo mantenha ou melhore ainda mais este incrível jogo de poderes.